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FAMA takes art brut to Itu
With the opening of Bispo do Rosário exhibition, art as worldbuilding seminar takes to itu discussions around art brut, or outsider art, and presents international artists and experts integrating the movement
ArtRio in movement
With the departure of two partners, the fair is only captained by Brenda Valansi and makes Marina da Gloria its home
Working with memory is working with present
Portuguese curator João Fernandes, new artistic director of the Moreira Salles Institute – ims, wants to work with the institution’s collections to reflect the current times
Pinacoteca reviews and updates Beuys and Oiticica
Exhibition Somos muit+s: experiments on collectivity brings 20th century artists who repositioned art in dialogue with current projects
Nas veredas do sertão
36th Panorama da Arte Brasileira occupies the Museum of Modern Art of São Paulo (MAM–SP) with works that propose experiences outside the major urban centers
Improvisation as a method
interview with randolpho lamonier, artist from Minas Gerais participating in the 36th panorama da arte brasileira
Artistic practice as historian practice
Curated by Ana Pato, Meta–Arquivo exhibition brings together unseen works by nine artists and collectives from archival research on the Brazilian military dictatorship
Photography of the memory
With works on the resistance to the Salazarist dictatorship in Portugal, Operation Condor in South America and Police Violence in Rio de Janeiro, Portuguese photographer João Pina deals with, from records, the past history and trauma
Adriana Varejão: For a cannibal rhetoric
The exhibition markes the first solo show by artist in the northeast, territory of strong baroque heritage and colonial slavery
Nheë Nheë nheë, genealogy of the tropical leisure
Ludic, brave and existential, Márcio Almeida recommends the leisure to come to a creative moment of truth