Page 101 - ARTE!Brasileiros #38

ART AS RESISTANCE ENGLISH VERSION

CONTENTS | PAGE 17 COLLABORATORS | PAGE 14

18 AROUND ISSUE 38 MARCH APRIL 2017 BRASILEIROS.COM.BR
Claudia Andujar and Jonathas de Andrade exhibitions, and other news
20 EPISODES OF THE SOUTH Diego Rousseaux, photographer from Buenos Aires living in
Meeting in Johannesburg discusses the new fields of action of museums Brazil since 2001. Rousseaux is also a chef and an amateur
carpenter. For this issue, he photographed the exhibition Avenida
26 HERITAGE Paulista, on show at the Museu de Arte de São Paulo Assis
Interventions to the Monumento às Bandeiras spark debates Chateaubriand (MASP).
on the city’s memory
30 URBAN ART Maria Hirszman, journalist and art critic, she worked on
Graffiti artists from São Paulo talk about the shift between the city’s Jornal da Tarde and O Estado de S. Paulo. She is a researcher
central and peripheral areas in Art History and holds a Master’s degree from the School of
36 ART AND POLITICS Communication and Arts of the University of São Paulo. The
After Donald Trump took office, protests, posters and manifestos journalist wrote a piece on the exhibition Anita Malfatti – 100
take the streets of American cities Anos de Arte Moderna.
40 DOCUMENTA
For the first time, two cities will house the exhibition held every five years Peter Pál Pelbart, philosopher, is a professor at the Department
42 SP-ARTE of Philosophy and the Nucleus for Subjectivity Studies of
In its 13th edition, the fair promotes works by artists who were the Post-Graduate School in Clinical Psychology at PUC-SP.
Researcher and translator of the work of Gilles Deleuze, in this
born before 1950
issue he tells the story of the Ueinzz Theater Company.

EXHIBITIONS
Simonetta Persichetti, journalist, holds a Master’s degree in
44 ANITA MALFATTI Communication and Arts and a Doctorate in Social Psychology
Exhibition revisits the artist’s role in the modernist movement from PUC-SP. She has published the books Imagens da Fotografia
48 AVENIDA PAULISTA Brasileira I and II (Images from the Brazilian Photography I and
Show presents views by different artists on one of the city’s main avenues II). In this issue, Persichetti writes about the opening of Museu
52 PLACES OF DELIRIUM da Fotografia in Fortaleza, Ceará.
Relationship between madness and art is the theme of the exhibition
at Museu de Arte do Rio Celso Oliveira is a photographer. He collaborated on several
60 REFLECTION newspaper and magazines such as Veja, IstoÉ, Visão, Tênis
Peter Pál Pelbart writes about the Ueinzz Theater Company, which Esporte, O Globo and O Povo, from Fortaleza. In partnership
takes part in the exhibition Lugares do Delírio (Places of Delirium) with a group of photographers, he developed in the 1990s the
project Brasil Sem Fronteiras (Brazil Without Borders). For this
64 OFFER COMPANY issue, Silva registered the works at Museu da Fotografia.
Anna Costa e Silva exhibits registers of 33 meetings she held with strangers
68 HISTORY OF EXHIBITIONS 1 | COVER: ETAIL FROM A PHOTOGRAPH PART OF THE SERIES VOODOO1988), BY MARIO
(
In 2003, an exhibition sparked conflicts among powerful CRAVO NETO. REPRODUCTION CELSO OLIVEIRA
characters and artists in Panama
AROUND | PAGES 18 AND 19
NEW SPACES
72 USINA FRANKFURT
Project in Pernambuco turns an old mill into an open-air art workshop ANDUJAR UNDER LINA’S PERSPECTIVE

COLLECTIONS
Known for her engagement on the native cause, the
76 MUSEU DA FOTOGRAFIA
Photographic archive with two thousand pieces from the collector photographer Claudia Andujar wins a solo show in Frankfurt,
Germany. The exhibition, on show at the MMK Museum für
Silvio Frota gets its own building in Fortaleza Moderne Kunst, features an overview of the artist’s career,
84 POINT OF VIEW who was born in Switzerland and is naturalized Brazilian.
Ivo Mesquita talks about his curatorship to Museu da Fotografia’s One of the show’s peculiar features is that the works are shown
inaugural show on glass easels, supports created by Lina Bo Bardi for MASP
86 INDEPENDENT MARKET in 1968. In the curatorial text, the exhibition design is defined
Collections of alternative publications boost independent fairs as a “form of presentation that emphasizes the dialogic
character of Andujar’s photographs, shown at the eye level.”
BOOK The main work is the series Marcados (Marked), produced
90 HENRIQUE OLIVEIRA between 1981 and 1984. Exhibited for the first time on the
Publication documents the artist’s career and his creative process 27th Bienal, the series comprises 113 portraits used to register
94 REVIEW the vaccination process of the Ianomamis in the 1980s. In it,
Book about Inhotim and Ana Maria Tavares exhibition, among others the photographer compares the registers of the natives with
listings of the prisoners from the Nazi concentration camps.
1 | DETAIL FROM THE WORK NOVOS COSTUMES – MÁSCARA DE TRAMAS E VENTOSAS In addition to the images with groups of natives, the exhibition
(NEW COSTUMES – MASK WITH MESH AND SUCTION CUPS), BY LAURA LIMA, FROM THE presents some of Andujar’s lesser-known works. There are
EXHIBITION LUGARES DO DELÍRIO, MUSEU DE ARTE DO RIO registers from the photographer of the everyday life and the

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